Toutes peintures à l'huile d'Paul Cezanne

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88244

Mont Sainte-Victoire

1902-1906 Medium Oil on canvas cjr

90793

Mont Sainte-Victoire

1885-1887 Medium oil on canvas Dimensions 55 x 65 cm cjr

23268

Mont Sainte-Victoire (nn03)

1885/95 Oil on canvas 72.8 91.7 cm 28 5/8 x 38 1/8 cm Barnes Foundation Merion PA

27770

Mont Sainte-Victoire and Chateau Noir

mk62 1904-1906 Oil on canvas 65.5x81cm Tokyo,Bridgestone Museum of Art,Ishibashi Foundation

42804

Mont Sainte-Victoire considering of Lesson Lauves

MK169 1902-04 Shut down 69.8x89.5cm

27775

Mont Sainte-Victoire Seen from Bibemus

mk62 1898-1900 Oil on canvas 65x81cm Baltimore Museum of Art

33985

Mont Sainte-Victoire Seen from the Quarry at Bibemus

mk87 c.1898-1906 Oil on canvas 65x81cm Baltimore,The Baltimore Museum of Art

21513

Mont Sainte-Victoire Seen from the Quarry at Bibemus (mk09)

c 1898-1906 Oil on canvas,65 x 81 cm Baltimore (MD),The Baltimore Museum of Art

27776

Mont Sainte-Victoire,Seen from Les Lauves

mk62 1904-1906 Oil on canvas 73.8x81.5cm The Nelson-Atkins Museum of Art,Nelson Fund

27777

Mont Sainte-Victoire,Seen from Les Lauves

mk62 1904-1906 Oil on canvas 60x73cm Kunstmuseum Basel

27778

Mont Sainte-Victoire,Seen from Les Lauves

mk62 1904-1906 Oil on canvas 65x81cm Zurich,Kunsthaus Zurich

40854

Mont Sainte-Victoire,View from Lauves

mk156 1904 Oil on canvas 70x92cm

58358

Montagne Sainte Victoire

Montagne Sainte-Victoire, 1882-1885, Metropolitan Museum of Art

76154

Montagne Sainte Victoire

Medium Oil on canvas Dimensions Deutsch: 65 ?? 81 cm cyf

368

Montagne Sainte-Victoire

1890-94 National Gallery of Scotland, Edinburgh

91803

Montagne Sainte-Victoire

1888-1890 Medium oil on canvas Dimensions 65 X 81 cm (25.6 X 31.9 in) cjr

27826

Montagnes en Provence

mk62 vers 1890 Huile sur toile 65x81cm Londres, The Courtauld Gallery

28775

Mount Sainte-Victoire

1889 Oil on canvas 54.6 x 64.4 cm Merion Pennsylvania The Barnes Foundation (mk64)

48721

Mountain

mk191 Oil on canvas

27900

Mountains in Provence

mk62 c.1886 Oil on canvas 63.5x79.4cm National Gallery, London

27899

Mountains seen from l'Estaque

mk62 c.1886-90 Oil on panper,mounted on canvas 54x73cm National Museum of Wales,Cardiff

60833

Mrs Cezanne

mk273 1877 Oil on canvas 72.5 x 56 cm

60889

Mrs Cezanne

mk273 1886 Oil on canvas 73.6 x 61 cm

60925

Mrs Cezanne

mk273 1888 Oil on canvas 81 x 64.9 cm

60926

Mrs Cezanne

mk273 1888 Oil on canvas 116.5 x 89.5cm

60964

Mrs. Cezanne

mk273 1891 Oil on canvas 92.1 x 73 cm

60804

murder

mk273 1867-1869 Oil on canvas 65.5 x 80.5 cm

60821

Naples afternoon

mk273 1875 Oil on canvas 37 x 45 cm

34671

Nature mort a la Bouteille de Peppermint

mk94 1894

27855

Nature morte aux oignons

mk62 1896-1898 Huile sur toile 66x82cm Paris,musee d'Orsay

27838

Nature morte avec

mk62 1893-1894 Huile sur toile 65.5x81.5cm

27835

Nature morte avec commode

mk62 1883-1887 Huile sur toile 65.5x81cm Cambridge,Harvard University,Fogg Art Museum

27845

Nature morte avec rideau et pichet fleuri

mk62 vers 1899 Huile sur toile 54.7x74cm Saint-Petersbourg,musee de l'Ermitage

27834

Nature morte de pommes dt d'oranes

mk62 vers 1895-1900 Huile sur toile 65x81cm Paris,musee d'Orsay

27823

Nature morte,pommes,bouteille et dossier de chaise

mk62 Crayon aquarelle 44.5x59cm Londres,The Courtauld Gallery

61031

near the rock cave

mk273 1904 Oil on canvas 65 x 54 cm

60871

near the village garden

mk273 1886 Oil on canvas 62.6 x 91.1 cm

67760

negern scipio

1866/1868 se

60826

Noon

mk273 1877 Oil on canvas 54.2 x 74.2 cm

60852

north of the Canal de Provence

mk273 1883 Oil on canvas 59 x 73 cm

60888

Nude

mk273 1888 Oil on canvas 44 x 62 cm

88984

Obstgarten in Pontoise

1877(1877) Medium oil on canvas Dimensions 50 x 58 cm cjr

61034

Oeverstaten

mk273 jaar 1904 Olieverf op doek 65 x 81 cm

60796

of bone and water

mk273 1865 Oil on canvas 59 x 48 cm

60875

of still life cherries

mk273 1885 Oil on canvas 58.1 x 68.9 cm

60877

of still life with fruit

mk273 1885 Oil on canvas 73.3 x 92.2 cm

61002

of the river through the woods

mk273 1898 Oil on canvas 59.1 x 81 cm

60996

of the road leading to the Black Castle

mk273 1897 Oil on canvas 79.5 x 64.5 cm

61030

of the stones and park tree

mk273 1904 Oil on canvas 92 x 73 cm

61001

of the village after the tree

mk273 1898 Oil on canvas 66 x 82 cm

60922

of water and leaves

mk273 1888 Oil on canvas 75 x 63 cm

71128

oise valley

1880 canvas 28x35in private collection

27922

Old Woman with a Rosary

mk62 c.1896 Oil on canvas 81x61cm National Gallery London

27764

Onions and Bottle

mk62 c.1895-1900 Oil on canvas 66x81cm Paris,Musee d Orsay

363

Onions and Bottles

1895-1900 Musee d'Orsay, Paris

27820

Pain et oeufs

mk62 1865 Huile sur toile 59.1x76.3cm Cinncinnati,Cinncinnati Art Museum

60850

Pang map nearby houses Schwarz

mk273 1882 Oil on canvas 73 x 92 cm

60847

Pang Schwarz housing plans

mk273 1881 Oil on canvas 46.5 x 56 cm

60844

Pang Schwarz map of the bridge

mk273 1881 Oil on canvas 60.3 x 74.3 cm

60830

Pang Schwarz map of the Garden

mk273 1877 Oil on canvas 50.2 x 60 cm

60843

Pang Schwarz map of the mill

mk273 1881 Oil on canvas 73 x 92 cm

60834

Pang Schwarz map of the orchard

mk273 1877 Oil on canvas 66 x 55.5 cm

60831

Pang Schwarz map of the villages near

mk273 1877 Oil on canvas 53 x 85.5 cm

11357

Pastoral(Idyll)

ca 1870 2' 1 1/2'' x 2' 8''(65 x 81cm)

60818

path

mk273 1875 Oil on canvas 55.2 x 46.2 cm

60811

path through the woods

mk273 1870 -1871 oil on canvas in 53.8 x 64.9 cm

27832

Paul Alexis faisant la lecture a Emile Zola

mk62 1869-1870 Huile sur toile 11x161cm Sao Paulo,Museu de Arte

27727

Paul Alexis Reading to Zola

mk62 c.1869-1870 La lecture de Paul Alexis chez Zola Oil on canvas 52x56cm Venturi 118

85364

Paysage provencal

1870(1870) Medium Oil on canvas Dimensions 59 x 78 cm cyf

81337

Paysage provencal, or Rochers a L'Estaque, or Masures sous la neige

Date ca. 1870(1870) Medium Oil on canvas Dimensions 59 x 78 cm cjr

85269

Peaches and Pears By Paul Cezanne

Date 1895(1895) Medium English: Oil on Canvas cjr

50627

Pear and peach

mk213 Oil on canvas

56301

pears on a chair

mk247 c.1882,oil on canvas,barnes foundation,merion,pa,usa

85267

Pierot and Harlequin

Date 1895(1895) Medium English: Oil on Canvas cjr

40800

Pierrot and Harlequin

mk156 1888 Oil on canvas 102x81cm

60930

pigeon tower

mk273 1890 Oil on canvas 64.1 x 80 cm

60977

pine

mk273 1895 Oil on canvas 72 x 91 cm

60995

pine trees and rock

mk273 1897 Oil on canvas 81.3 x 65.4 cm

89179

Pines and Rocks

1897(1897) Medium oil on canvas Dimensions Height: 81.3 cm (32 in). Width: 65.4 cm (25.7 in). cjr

60906

plain Provence

mk273 1886 Oil on canvas 58.5 x 81 cm

27762

Plaster Cupid and the Anatomy

mk62 c.1895 Oil on paper and wood 71x57cm London,Courtauld Institute Galleries

60990

plate of peach

mk273 1896 Oil on canvas 38 x 46 cm

60987

plate of pears

mk273 1896 Oil on canvas 38 x 46 cm

65899

Plate with fruits and sponger fingers

Plate with fruits and sponger fingers, oil on Canvas 54,3x64 cm, 1877 , private colection

71741

Plate with fruits and sponger fingers

Plate with fruits and sponger fingers, oil on Canvas 54,3x64 cm, 1877 , private colection.

60806

playing

mk273 1869 - 1870 years oil on canvas 57 x 92 cm

90244

Pont de Maincy

c. 1880 Medium oil on canvas Dimensions Deutsch: 59 x 72 cm cjr

60828

pool

mk273 1877 Oil on canvas 73.5 x 60.5 cm

60835

pool

mk273 1878 Oil on canvas 47 x 56.2 cm

60836

pool 2

mk273 1878 Oil on canvas 73.7 x 60.3 cm

27747

Pool at the jas de Bouffan

mk62 1882-1885 Oil on canvas 73x60cm Albright-Knox Art Gallery,Fellows for Life Fund

11469

Poplar Trees

ca 1879-1882 2' 1 1/2'' x 2'8''(65 x 81 cm)Bequest of Joseph Reinach,1921

27798

Portrait d Eugene Dlacroix

mk62 1864-1866 Crayon et craie noire sur papier 14x13cm Avignon,musee Calvet

27848

Portrait de joachim Gasquet

mk62 1896 Huile sur toile 65x54cm Prague Galerie Narodni

27795

Portrait de la mere de l artiste

mk62 1869-1870 Huile sur toile 53.5x57cm Saint Louis,The Saint Louis Art Museum

27796

Portrait de Louis-Auguste Cezanne lisant L Evenement

mk62 1866 Huile sur toile 200x120cm Washinton,National Gallery of Art

27828

Portrait de Paul Cezanne junior

mk62 1888-1890 Huile sur toile 64.5x54cm Washington,National Gallery

27812

Portrait de Victor Chocquet

mk62 1877 Huile sur toile 45.7x38.1cm Colombus,Colombus Museum of Art

34324

Portrait des Grafen Keyserling

mk92 1900 99.5x75.5cm Munchen,Bayerische Staatsgemaldesammlung

27863

Portrait du jardinier Vallier

mk62 1902-1906 Huile sur toile 107.4x74.5cm Zurich

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Paul Cezanne

French Post-Impressionist Painter, 1839-1906 During the second half of the 19th century French impressionism created a dramatic break with the art of the past. In conception and appearance the style was radically new and, although it initially inspired public ridicule, it soon affected nearly every ambitious artist in western Europe. The new vision emerged during the 1870s, chiefly in the art of Claude Monet, Auguste Renoir, and Camille Pissarro. For each of these artists impressionism was an illusionistic style which differed from the tradition of Renaissance illusionism in its greater emphasis upon vibrant, natural color and on an immediate confrontation with the phenomena of the visible world. As the style developed during the 1880s, however, it increasingly became characterized by paintings which were flat rather than illusionistic. In other words, the impressionists insistence upon a direct application of pigment to canvas resulted in surfaces which declared themselves first of all as surfaces - and, consequently, in paintings which declared themselves first of all as paintings rather than as windows which looked out upon the natural world. The tendency toward flatness persisted into the last years of the 19th century, its pervasiveness giving the impression that illusionistic space - fought for, won, and defended since the very beginning of the Renaissance - had finally been sacrificed by the medium of painting. Paul C??zanne worked within and finally emerged from this trend. As a painter, he matured slowly, his greatest works coming during the last 25 years of his life. During this period he scored a remarkable and heroic achievement: he restored to painting the space and volume that had seemingly been lost to it. But he did it in a totally unprecedented way: not by return to the illusionism of the past but by the creation of a spatial illusionism that did not violate flatness. C??zanne was born on Jan. 19, 1839, in Aix-en-Provence. His father, Philippe Auguste, was the cofounder of a banking firm which prospered throughout the artist life, affording him financial security that was unavailable to most of his contemporaries and eventually resulting in a large inheritance. In 1852 C??zanne entered the Coll??ge Bourbon, where he met and became friends with Émile Zola. This friendship was decisive for both men: with youthful romanticism they envisioned successful careers in the Paris art world, C??zanne as a painter and Zola as a writer. Consequently, C??zanne began to study painting and drawing at the École des Beaux-Arts in Aix in 1856. His father opposed the pursuit of an artistic career, and in 1858 he persuaded C??zanne to enter law school at the University of Aix. Although C??zanne continued his law studies for several years, he was simultaneously enrolled in the School of Design in Aix, where he remained until 1861. In 1861 C??zanne finally convinced his father to allow him to go to Paris. He planned to join Zola there and to enroll in the École des Beaux-Arts. But his application was rejected and, although he had gained inspiration from visits to the Louvre, particularly from the study of Diego Vel??zquez and Caravaggio, C??zanne experienced self-doubt and returned to Aix within the year. He entered his father banking house but continued to study at the School of Design. The remainder of the decade was a period of flux and uncertainty for C??zanne. His attempt to work in his father business was abortive, and he returned to Paris in 1862 and stayed for a year and a half. During this period he met Monet and Pissarro and became acquainted with the revolutionary work of Gustave Courbet and Édouard Manet. C??zanne also admired the fiery romanticism of Eug??ne Delacroix paintings. But he was never entirely comfortable with Parisian life and periodically returned to Aix, where he could work in relative isolation. He retreated there, for instance, during the Franco-Prussian War (1870-1871).

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